Wall clocks represent the biggest category of antique wall clocks plus are among the earliest forms of clocks designed for the home. Throughout the years, walls clocks are created in an enormous assortment of styles, from Rococo to Biedermeier, Arts and Crafts to Art Deco, cuckoo to Coca-Cola.
A number of the first wall clocks were the cartel clocks of eighteenth-century France. Housed in elaborate cast-bronze or gold-leaf-on-wood frames (cartel is French for frame), the wall clocks often featured Roman numerals on white dials surrounded by gilt garlands, figurines, and cherubs.
The cuckoo clocks created in Germany’s Black Forest are another venerable wall-clock form, significantly the house-shape ones created in the nineteenth century plus attributed to Friedrich Eisenlohr.
Image clocks from the identical century, largely from Austria, inserted clocks into paintings. In numerous cases, the paintings would depict village scenes—the hands of the main clock would be strategically placed on the painting therefore that they were positioned on the outside of, say, a church steeple. Vienna was additionally a center for regulator wall clocks, that were among the most accurate clocks of their time.
Wall clocks in nineteenth-century America evolved from the forms, as well as from English wag-on-the-wall clocks, whose weights and pendulums dangled and swung for each one to see below the clock’s case. The nearly all famous and sought-after antique American wall clock is Simon Willard’s banjo clock, which was so named for its resemblance to an upside-down banjo.
In the first part of the century, each American clockmaker worth his salt created a banjo clock. They were sometimes cased in mahogany and often had brass ornamentation on their sides to suggest frets on a banjo’s neck. Some were crowned with eagles, others were anchored by boxes which were embellished with paintings of everything from harbor scenes to grand estates. Still alternative variations replaced the banjo form with a lyre.
The gallery clock was another favored sort of American wall clock. In contrast to the banjos, which had long cases to hide the clock’s pendulum, these were virtually mostly dial, with hardly any casing beneath the clock’s face at all. Gallery clocks quickly became a favorite of churches, courthouses, plus different public buildings.
Schools got their own design, the so-called schoolhouse clock, 1st showing up somewhere between 1850 and 1860. The same as a gallery clock but with added framing—typically wood—around the dial, schoolhouse clocks had short cases below their faces, often with a tiny pane of glass to reveal the pendulum inside.










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